The Bell Jar by Sylvia Plath

The Bell Jar

For the 1979 film, see The Bell Jar (film). The Bell Jar is American writer and poet Sylvia Plath's only novel, which was originally published under the pseudonym "Victoria Lucas" in 1963. The novel is semi-autobiographical with the names of places and people changed. The book is often regarded as a roman à clef, with the protagonist's descent into mental illness paralleling Plath's own experiences with what may have been clinical depression. Plath committed suicide a month after its first UK publication. The novel was published under Plath's name for the first time in 1967 and was not published in the United States until 1971, pursuant to the wishes of Plath's husband Ted Hughes and her mother.

Plot summary

Esther Greenwood, a young woman from the suburbs of Boston, Massachusetts, gains a summer internship at a prominent magazine in New York City under editor Jay Cee. At the time of the Rosenbergs' execution, Esther is neither stimulated nor excited by the big city and glamorous culture and lifestyle that girls her age are expected to idolize and emulate. Instead her experiences frighten and disorient her. She appreciates the witty sarcasm and adventurousness of her friend Doreen, but also identifies with the piety of Betsy (dubbed "Pollyanna Cowgirl" by Doreen, because she's from Kansas), a 'goody-goody' sorority girl who always does the right thing. She has a benefactress in Philomena Guinea, a formerly successful fiction writer (based on Olive Higgins Prouty), who will, later during Esther's hospitalization, pay for some of her treatments.

Esther describes in detail several seriocomic incidents that occur during her internship, kicked off by an unfortunate but amusing experience at a banquet for the girls given by the staff of Ladies' Day magazine. She reminisces about her friend Buddy, whom she has dated more or less seriously and who considers himself her de facto fiancé. She also muses about Julius and Ethel Rosenberg, who are scheduled for execution. She returns to her Massachusetts home in low spirits. During her stay in New York City, she had hoped to return to another scholarly opportunity, a writing course taught by a world-famous author. Upon her return home, her mother immediately tells her she was not accepted for the course. She decides to spend the summer potentially writing a novel, although she feels she doesn't have enough life experience to write convincingly. All of her identity has been centered around doing well academically; she is unsure of what to make of her life once she leaves school, and the choices presented to her (motherhood, as exemplified by the prolific child-bearer and vacuous Dodo Conway, or stereotypical female careers such as stenography) do not appeal to her.

Esther becomes increasingly depressed, and finds herself unable to sleep. Her mother encourages, or perhaps forces, her to see a psychiatrist, Dr. Gordon, whom Esther mistrusts because he is attractive and seems to be showing off pictures of his charming family rather than listening to her. He hastily diagnoses her with a mental illness and has her hospitalized. She receives electroconvulsive therapy, improperly administered, and feels she's being electrocuted like the Rosenbergs. When she tells her mother she refuses to go back, her mother smugly and callously announces, "I knew you'd decide to be all right."

Esther's mental state worsens. She describes her depression as a feeling of being trapped under a bell jar, struggling for breath. She makes several half-hearted attempts at suicide, including swimming far out to sea, before making a serious attempt. She leaves a note that says she is taking a long walk, then crawls into the cellar and swallows almost 50 sleeping pills that have been prescribed for her insomnia. She is discovered under her house after a rather dramatic episode in the newspapers has presumed her kidnapping and death, all taking place over an indeterminate amount of time. She survives and is sent to a different mental hospital, where she meets Dr. Nolan, a female therapist. Along with regular sessions of psychotherapy Esther is given huge amounts of insulin to produce a "reaction," and again receives shock treatments, with Dr. Nolan ensuring that they are properly administered. Esther describes the ECT as beneficial in that it has a sort of antidepressant effect, lifting the metaphorical bell jar in which she has felt trapped and stifled. Her stay at the private institution is funded by her benefactress, Philomena Guinea.

Esther tells Dr. Nolan how she envies the freedom that men have, but as a woman, worries about getting pregnant. Dr. Nolan refers her to a doctor who fits her for a diaphragm. Esther now feels free from her fears about the consequences of sex. She feels free from previous pressures to get married, potentially to the wrong man. Under Dr. Nolan, Esther improves and various life-changing events help her regain her sanity. The novel ends with her entering the room for her interview which will decide whether she can leave the hospital.

Parallels of Plath's life to the novel

The book contains many references to real people and events in Plath's life. Plath's real-life magazine scholarship was at Mademoiselle magazine beginning in 1953.^[2] Furthermore, Philomena Guinea is based on Plath's own patron, Olive Higgins Prouty, author of Stella Dallas and Now, Voyager, who funded Plath's scholarship to study at Smith College. Plath was rejected from a Harvard course taught by Frank O'Connor.^[3] Dr. Nolan is thought to be based on Plath's own therapist, Ruth Beuscher, whom she continued seeing into adulthood. A good portion of this part of the novel closely resembles the experiences chronicled by Mary Jane Ward in her autobiographical novel The Snake Pit; Plath later stated that she'd seen reviews of The Snake Pit and believed the public wanted to see "mental health stuff," so she deliberately based details of Esther's hospitalization on the procedures and methods outlined in Ward's book. Plath was a patient at McLean Hospital, an upscale facility which resembled the "snake pit" much less than certain wards in Metropolitan State Hospital, which may have been where Mary Jane Ward was actually hospitalized.

In a 2006 interview, Joanne Greenberg revealed that she had been interviewed in 1986 by one of the women who had worked on Mademoiselle with Plath in the college guest editors group. The woman claimed that Plath had put so many details of the students' real lives into The Bell Jar that "they could never look at each other again", and that it had caused the breakup of her marriage and possibly others.^[4][5]

Film adaptations

Larry Peerce's The Bell Jar (1979) starred Marilyn Hassett as Esther Greenwood, the protagonist and featured the tagline: "Sometimes just being a woman is an act of courage." After the movie came out, Jane Anderson claimed she was portrayed as the character "Joan" in the movie and filed a lawsuit. She felt that her character was ill-represented, which resulted in her subsequent emotional trauma. In 2008 Plum Pictures announced plans for a Hollywood version of the novel, the movie to be written by playwright and screenwriter Tristine Skyler and Julia Stiles to star as the novel's protagonist^[6], with Rose McGowan as Doreen. As of January 2011, the film remains in development.^[7]